bleak allegory in poetry of Mario Morquencho
Carrasco Ricardo Musse
Lambayeque, and poet, best friend, Caesar Boyd sent me a poetic work, structured around six poems, entitled "Ramblings of a sea drunk" by Mario Morquencho, member, like me, SIGNS Literary Group, and reading it, I arrived at the urgent-urgent conclusion as well, "that it was time to spend a few words to one of the best poets who have emerged recently (at mine, along with Ipanaqué Luber, Fabian Bruno, Luis Gil, José Abad and Caesar himself Boyd) in Peruvian literature.
inroads in his poems, assembled with a flowing rhythmic convergence, yet interspersed disparate voices, different records, harmoniously, settled within a fictional surface, which, in turn, as it runs the interwoven discursive images are encapsulated in a verbal picture unit.
The poet goes beyond his lines with a trigger purpose: to establish that simple, illuminating analogies. The metaphors are so naked pronounce our perceptions, that as soon as we read the decode no need to abstract, vague as they are devoid of secrecy, and this is where the particular magnetism of his poetry. Mario
Morquencho therefore oraliza in a manner so endearing that humanizes objects and references, writing without rhetorical effort, the words emerge naturally, and not stopping to speak to the point that incontinence is so shamelessly confessional, revealing stark identities , shouting to falter, uninhibited and fortified revulsive melancholy. Overwhelmed
Morquencho therefore oraliza in a manner so endearing that humanizes objects and references, writing without rhetorical effort, the words emerge naturally, and not stopping to speak to the point that incontinence is so shamelessly confessional, revealing stark identities , shouting to falter, uninhibited and fortified revulsive melancholy. Overwhelmed
to these shores lyrics, verses leak between its oceanic textualities sobs, that, despite the fun the rhymes, everything is flooded with sadness that grieve, so hopeless, our dismal souls.
But Mario Morquencho colloquialism is not horazeriano as we thought (although it does have some crucial features), as counter to their glaring narrative seep into it, too, a virtual voice that singles connotative style.
Sullana, January 12, 2011
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