The ancestral wisdom of Oscar Aquino
Oscar Aquino-sculpting their shapes are deep within the bowels of rearranging the materials and identified , redistributing and / or decontextualizing elementary particles (protons, neutrons, deuterons, positrons, gravitons, baryons and leptons: electrons, neutrinos, muons, etc.), placing them in a new spatial configuration where the forces of nature that give life matter, be subjugated for a moment ceasing any physical resistance "to the magic spell of the skilled craftsmen of this major artist.
The sculptor takes a formalized aesthetic with ancient atavistic components available, which happens (in those gaps, and quantum mystery, why not say, of matter) in the dynamic microcosm of subatomic corpuscles, where dialectic of local-are-us propel us to the perpetual search. Oscar Aquino
implements plant matter settled in the northern dry forest: Algarrobo, lignum vitae, sapodilla, cedar, rosewood, hualtaco, and ebony; to structure their achievements that reflect local customs and the abstraction volume that touches the heart and contemplative, where they play with blocks and geometric shapes, looking for a symbolic re-concentrated. Oscar Aquino, the three-dimensional infinite and artistic quality, has been deposited into the genetic memory of our primal beats. So, Teacher: That the Spirit Remote Insular endure holding the metaphysical humility of his soul.
Russbelt War: The mystery of the images
These canvases are set by a grammar enigmatic atmospheres reveal his underground kingdom, dream drives, statuary representations that include cold-stunning-with our hearts inert, lanterns lighting up the darkened innards and ornithological associations that sedentary within a poetic subjectivity could only migrate to the unspeakable realities of the subconscious. Surrealist painting is often too literary. It aims to paint the invisible, ... (1).
War Russbelt boxes are directed to a hidden part of our being which, in my view, navigate in a code called stealthy silence (2). The silence of his paintings lies in the agonizing melancholy of his images and color that ineffable purification: The silence of the primordial times transcripts mysteriously within us facing his own perplexity of life. From a formal point of view, the paintings hold a rigorous structure: Its elements are articulated from the perspective of withdrawal and estrangement tight composition.
Like the Surrealists, War Russbelt boxes are blinded by the alienating desires. The theme of eroticism and obsession with the female form and all variants that the artist's symbolic start to experience (3). They set a grim eroticism, whose muses bandaged with frayed bundles, will gradually peeling, drilling, stripping of sensuality, "in short, dehumanized. A attractive features of this universe is the polished stunned drawing settings: In an exquisite delineation and accurate marking figurative, which aims to cut and shape the ghosts of the subconscious.
In conclusion, the disturbing painting Russbelt War is like that of Giorgio de Chirico, therefore metaphysical interior brushed-decode us with the unflinching lyrical subtlety that has permeated contemporary, perversely, our rickety souls.
Thief of short stories, prose and urban cool
The book's narrator Louis Seminary Seminary, is configured as a route through the turns factual discourse of city \u200b\u200bof Piura. Verbal voice that is outlining, profuse and intractable ignores utterances, quite the contrary, his utterances emanating from an extremely relaxed and hence no syntactic tension, with refreshing linearity argument. The four
cuentario tales, the characters who people are city dwellers, inflated by an overwhelming pragmatism, equipped with a malicious irony and cynicism pessimistic: Their biographies are dull and prosaic language denotes postmodern exercise, tellingly, the alienated nature of their existence.
literature is baptizing new voices, book, from this judicious cache encourage him to persevere and continue planning, developing, reforming and expanding their textual constructions, but warn that the cystic piurana literary mafia will make life impossible, no, it does not exist, but rest assured, because the literary justice will position it in space, for their faith to what he does, deserves for all eternity.
Two souls pictorial shot with an arrow by the same sensitivity
In pictorial universes settle atavisms darkest humanity. The artist recognized as either true or compulsive spokesman faker than plasma plural color spreading and strokes, as making themselves felt, they will distort in order to transcribe our debased essences, disappointment, so strong, facing, without any mercy absurd, with the latent malevolence which we stand; assumes, with controversial commitment, and demystifying role incorruptible critical.
abstract Tables Cannalire Olivera (Serbia-faceted artist), transgress, imbued with secular perplexity, that is, we delve to a subtle estrangement into the vortex of its shadowy color, overwhelm us, we thought startling orthodox and established in our cognitive horizon, we caution that axiological discourses have been melted down for ever, that the human being particular inserted into compelling circumstances, retracts, is betrayed, insulted rejoice at the suffering neighbor, minimalist paintings that we are reproached that fratricide is so reliable, we define ontological kind as irredeemable. And consequently, those certainties chromatically set, with its diffuse semiotics, we inflate the gut wisdom of the dying heartbeat.
From a formal point of view, the paintings hold a structured Russbelt rigor War: Its elements are articulated from the perspective of withdrawal and estrangement tight composition. Like the Surrealists, Russbelt boxes War is blinded by the alienating desires. They set a grim eroticism, whose muses bandaged with frayed bundles, will gradually peeling, drilling, stripping of sensuality, "in short, dehumanized.
One of the attractive features of this shocked the universe is the polished drawing settings: In an exquisite delineation and accurate marking figurative, which aims to cut and shape the ghosts of the subconscious. In addition, results pictorially Russbelt War deliberate dehumanization that currently militates against the essence of man, manipulating and degrading, where an evil kingdom, hidden in the shadows, outlines his alienated cognitions.
In short, War and Olivera Russbelt Cannalire are two souls shot with an arrow for the same resonances life, from the chapel's scriptural welcome the two-person exhibition of paintings, called the sublime path that will take place soon in the cultured city of Trujillo.
Adolfo Felix Rebolledo Herrera: Artist and epochal man committed
Adolfo Felix Rebolledo Herrera was not "in any simple way, a painter, but turned his mind toward multifaceted textual painting: The painting became ( ...) at the source of all of all your pleasures. Charcoal. Watercolor. Oil. Tempera. And not only conceived the painting as a technology wisdom insurance lines, compelling color and compositional assemblies, but their commitment transcended these certainties aesthetic-immolation with their convictions, sentences, accepting an ideological stance in line with the epochal designs. Felix Rebolledo
Adolfo Herrera, born in the Olympus of chicha Catacaos, 2 June in the year that ended World War II. His parents: Felix Rebolledo, painting landscapes with purple ochres and inflamed their aesthetic provocative and refreshing, and Dora Herrera, earth woman who sewed clothes for centuries in this his rattling Singer. Had, during their training academic achievements overwhelming: Diploma of Honor at the end of high school, and National Gold Medal Award and the French government scholarship at the Escuela Nacional de Bellas Artes. Vital itinerary took him through several countries in Europe, where he began to marry, to say Roger Santiváñez-socialist ideas.
Oscar Aquino-sculpting their shapes are deep within the bowels of rearranging the materials and identified , redistributing and / or decontextualizing elementary particles (protons, neutrons, deuterons, positrons, gravitons, baryons and leptons: electrons, neutrinos, muons, etc.), placing them in a new spatial configuration where the forces of nature that give life matter, be subjugated for a moment ceasing any physical resistance "to the magic spell of the skilled craftsmen of this major artist.
The sculptor takes a formalized aesthetic with ancient atavistic components available, which happens (in those gaps, and quantum mystery, why not say, of matter) in the dynamic microcosm of subatomic corpuscles, where dialectic of local-are-us propel us to the perpetual search. Oscar Aquino
implements plant matter settled in the northern dry forest: Algarrobo, lignum vitae, sapodilla, cedar, rosewood, hualtaco, and ebony; to structure their achievements that reflect local customs and the abstraction volume that touches the heart and contemplative, where they play with blocks and geometric shapes, looking for a symbolic re-concentrated. Oscar Aquino, the three-dimensional infinite and artistic quality, has been deposited into the genetic memory of our primal beats. So, Teacher: That the Spirit Remote Insular endure holding the metaphysical humility of his soul.
Russbelt War: The mystery of the images
These canvases are set by a grammar enigmatic atmospheres reveal his underground kingdom, dream drives, statuary representations that include cold-stunning-with our hearts inert, lanterns lighting up the darkened innards and ornithological associations that sedentary within a poetic subjectivity could only migrate to the unspeakable realities of the subconscious. Surrealist painting is often too literary. It aims to paint the invisible, ... (1).
War Russbelt boxes are directed to a hidden part of our being which, in my view, navigate in a code called stealthy silence (2). The silence of his paintings lies in the agonizing melancholy of his images and color that ineffable purification: The silence of the primordial times transcripts mysteriously within us facing his own perplexity of life. From a formal point of view, the paintings hold a rigorous structure: Its elements are articulated from the perspective of withdrawal and estrangement tight composition.
Like the Surrealists, War Russbelt boxes are blinded by the alienating desires. The theme of eroticism and obsession with the female form and all variants that the artist's symbolic start to experience (3). They set a grim eroticism, whose muses bandaged with frayed bundles, will gradually peeling, drilling, stripping of sensuality, "in short, dehumanized. A attractive features of this universe is the polished stunned drawing settings: In an exquisite delineation and accurate marking figurative, which aims to cut and shape the ghosts of the subconscious.
In conclusion, the disturbing painting Russbelt War is like that of Giorgio de Chirico, therefore metaphysical interior brushed-decode us with the unflinching lyrical subtlety that has permeated contemporary, perversely, our rickety souls.
Thief of short stories, prose and urban cool
The book's narrator Louis Seminary Seminary, is configured as a route through the turns factual discourse of city \u200b\u200bof Piura. Verbal voice that is outlining, profuse and intractable ignores utterances, quite the contrary, his utterances emanating from an extremely relaxed and hence no syntactic tension, with refreshing linearity argument. The four
cuentario tales, the characters who people are city dwellers, inflated by an overwhelming pragmatism, equipped with a malicious irony and cynicism pessimistic: Their biographies are dull and prosaic language denotes postmodern exercise, tellingly, the alienated nature of their existence.
literature is baptizing new voices, book, from this judicious cache encourage him to persevere and continue planning, developing, reforming and expanding their textual constructions, but warn that the cystic piurana literary mafia will make life impossible, no, it does not exist, but rest assured, because the literary justice will position it in space, for their faith to what he does, deserves for all eternity.
Two souls pictorial shot with an arrow by the same sensitivity
In pictorial universes settle atavisms darkest humanity. The artist recognized as either true or compulsive spokesman faker than plasma plural color spreading and strokes, as making themselves felt, they will distort in order to transcribe our debased essences, disappointment, so strong, facing, without any mercy absurd, with the latent malevolence which we stand; assumes, with controversial commitment, and demystifying role incorruptible critical.
abstract Tables Cannalire Olivera (Serbia-faceted artist), transgress, imbued with secular perplexity, that is, we delve to a subtle estrangement into the vortex of its shadowy color, overwhelm us, we thought startling orthodox and established in our cognitive horizon, we caution that axiological discourses have been melted down for ever, that the human being particular inserted into compelling circumstances, retracts, is betrayed, insulted rejoice at the suffering neighbor, minimalist paintings that we are reproached that fratricide is so reliable, we define ontological kind as irredeemable. And consequently, those certainties chromatically set, with its diffuse semiotics, we inflate the gut wisdom of the dying heartbeat.
From a formal point of view, the paintings hold a structured Russbelt rigor War: Its elements are articulated from the perspective of withdrawal and estrangement tight composition. Like the Surrealists, Russbelt boxes War is blinded by the alienating desires. They set a grim eroticism, whose muses bandaged with frayed bundles, will gradually peeling, drilling, stripping of sensuality, "in short, dehumanized.
One of the attractive features of this shocked the universe is the polished drawing settings: In an exquisite delineation and accurate marking figurative, which aims to cut and shape the ghosts of the subconscious. In addition, results pictorially Russbelt War deliberate dehumanization that currently militates against the essence of man, manipulating and degrading, where an evil kingdom, hidden in the shadows, outlines his alienated cognitions.
In short, War and Olivera Russbelt Cannalire are two souls shot with an arrow for the same resonances life, from the chapel's scriptural welcome the two-person exhibition of paintings, called the sublime path that will take place soon in the cultured city of Trujillo.
Adolfo Felix Rebolledo Herrera: Artist and epochal man committed
Adolfo Felix Rebolledo Herrera was not "in any simple way, a painter, but turned his mind toward multifaceted textual painting: The painting became ( ...) at the source of all of all your pleasures. Charcoal. Watercolor. Oil. Tempera. And not only conceived the painting as a technology wisdom insurance lines, compelling color and compositional assemblies, but their commitment transcended these certainties aesthetic-immolation with their convictions, sentences, accepting an ideological stance in line with the epochal designs. Felix Rebolledo
Adolfo Herrera, born in the Olympus of chicha Catacaos, 2 June in the year that ended World War II. His parents: Felix Rebolledo, painting landscapes with purple ochres and inflamed their aesthetic provocative and refreshing, and Dora Herrera, earth woman who sewed clothes for centuries in this his rattling Singer. Had, during their training academic achievements overwhelming: Diploma of Honor at the end of high school, and National Gold Medal Award and the French government scholarship at the Escuela Nacional de Bellas Artes. Vital itinerary took him through several countries in Europe, where he began to marry, to say Roger Santiváñez-socialist ideas.
Semiotics primitive style of his paintings was the abstractions but subsequently commitment to realism, with the purpose of evidencing, aesthetically, the facticity of social problems.
On the other hand, have always existed and will exist traitors and traitors. One of these specimens negligible National School of Fine Arts, revealed its consequent ideological militancy, was arrested on June 15, 1984. Two years later, on June 19 in the genocide of the APRA government is cowardly murdered.
Adolfo Felix Rebolledo Herrera, was always at the height of a historical ethics and aesthetics, never was a despicable amoral. The beautician God rest his soul and those others, will return by far and without compassion, vile insults made.
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